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About Fences

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About The Jungle Book

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Name : Lindsey Bahr a.k.a Associated Press The Jungle Book is one of the stronger of Disney's live-action adaptations. It's a true family-friendly adventure that's smart and often thrilling.

Name : Variety Staff a.k.a Variety The standout song goes to Harris, a rhythmic 'Bare Necessities' extolling the value of a simple life and credited to Terry Gilkyson.

Name : Andrew Barker a.k.a Variety Jon Favreau brings a welcome lightness of touch to this visually immersive adventure story.

Name : Joe Morgenstern a.k.a Wall Street Journal The new production, computer-animated except for a living, breathing boy at the center of the action, isn't pretty or sweet but utterly stunning, as well as very funny.

Name : Will Leitch a.k.a The New Republic The movie is an odd beast: A powerful exploration of the cruelty of nature in which the animals occasionally break into song.

Name : Peter Howell a.k.a Toronto Star For all but the most timid of moviegoers, this live-action revival of The Jungle Book serves cherished memories, while offering much more than just the bare necessities of entertainment.

Name : Peter Rainer a.k.a Christian Science Monitor The computer-generated effects are extraordinary; the jungle and its menagerie of beasts and critters looks positively lifelike.

Name : Ignatiy Vishnevetsky a.k.a AV Club Talking animals have never looked so good, which is a bigger feat than it sounds.

Name : Bilge Ebiri a.k.a Village Voice If only all blockbusters could be this exciting, engrossing, and beautiful.

Name : Rene Rodriguez a.k.a Miami Herald The better these talking beasts look, the more the film resembles a gorgeous screen saver. You admire The Jungle Book, but you can't lose yourself in it.

Name : Bruce Kirkland a.k.a Toronto Sun Walt Disney Studios' splendid new version of The Jungle Book is utterly charming, absolutely gorgeous and perhaps too terrifying for the youngest and most impressionable children.

Name : Calvin Wilson a.k.a St. Louis Post-Dispatch With its combination of state-of-the-art technology and old-school charm, "The Jungle Book" should thrill children and adults alike.

Name : James Berardinelli a.k.a ReelViews The Jungle Book is well-made and deserves recognition as one of the year's best family offerings (thus far).

Name : Rafer Guzman a.k.a Newsday Stunning animation and big-screen thrills, but be warned that this is a much scarier movie than the animated 1967 version.

Name : Cath Clarke a.k.a Time Out Forget about your worries - this is the jungle VIP.

Name : Anthony Lane a.k.a New Yorker Clean, cleverly judged, and hypercontrolled. It represents, in short, the state of the art. Without disputing that, I would simply ask, What art?

Name : Michael Phillips a.k.a Chicago Tribune Favreau's fundamental decency and relatively light touch serve him well. He has a knack for straight-ahead pacing and for tightening the screws (the movie is 81 percent life-and-death peril and 19 percent comic relief) without being maniacal about it.

Name : Stephanie Zacharek a.k.a TIME Magazine This Jungle Book works, because Favreau has both a sense of humor and a sense of spectacle.

Name : Christopher Orr a.k.a The Atlantic By the time its evolution is complete, The Jungle Book has proven itself a minor Darwinian miracle, perhaps the oddest of all species: a movie nearly devoid of human beings, yet one bursting with humanity.

Name : Todd McCarthy a.k.a Hollywood Reporter Visually stunning and entirely engaging.

Name : Ty Burr a.k.a Boston Globe Favreau has proved he can make big studio contraptions seem warm and nearly human - he's the Baloo of filmmakers - and the great strength of this "Jungle Book" is how busy it is with personalities and incident.

Name : Mara Reinstein a.k.a Us Weekly A dazzling, charming and utterly immersive 3-D experience, it's sure to capture the imagination of moviegoers of all ages.

Name : Maricar Estrella a.k.a Fort Worth Star-Telegram/DFW.com It's one of the few films in which the 3D enhancement is justified. Each scene captures the essence of each animal so vividly that children in the audience were reaching out to the screen to try to "touch" the fur.

Name : Ann Hornaday a.k.a Washington Post Like all classic Disney productions, "The Jungle Book" possesses its share of fear, suffering and loss. But somehow the audience comes out whistling - in this case, with joy and quite a bit of awe.

Name : Peter Hartlaub a.k.a San Francisco Chronicle It's amazing to think that throughout this nearly two-hour film, there is just one flesh-and-blood character who spends more than a few seconds on screen, and he's arguably among the least defined.

Name : Adam Graham a.k.a Detroit News A film that will be celebrated, and rightly so, as one of the year's best family films. It's the rare remake that gets things right, and Favreau makes this "Book" a genuine page-turner.

Name : Andrew Lapin a.k.a NPR Though darker in tone, and more suitable for older kids, Disney's new take retains the undeniably fun spirit of the earlier film.

Name : Colin Covert a.k.a Minneapolis Star Tribune It is a banquet of storytelling delicacy, exciting light drama, athletic action and computer-generated imagery that is more hyper-real than real. After every delicious scene, I wanted seconds.

Name : Stephen Whitty a.k.a New York Daily News Disney's latest take on "The Jungle Book" has the bare necessities, but not much more.

Name : Manohla Dargis a.k.a New York Times Studios are in the recycling business, and while this "The Jungle Book" is lightly diverting, it is also disappointing, partly because it feels like a pumped-up version of Disney's 1967 animated film, with more action and less sweetness.

Name : David Edelstein a.k.a New York Magazine/Vulture It's dazzling - almost no one will dislike it. Its director, Jon Favreau, knows his audience, and he has enough skill and honest enthusiasm to win over all but the most determined skeptics.

Name : Bob Mondello a.k.a NPR Most of the real world challenges that Leo DiCaprio faced in The Revenant, 10-year-old Neel Sethi faces plenty persuasively in The Jungle Book's digitized world.

Name : Molly Eichel a.k.a Philadelphia Inquirer The reason to go see Favreau's The Jungle Book, instead of just watching the animated one with your cubs, is how gorgeous the jungle looks.

Name : Alonso Duralde a.k.a TheWrap Might lack the post-vaudeville razzamatazz of its predecessor, but director Jon Favreau and a team of effects wizards plunge us into one of the big screen's most engrossing artificial worlds since Avatar.

Name : Moira MacDonald a.k.a Seattle Times The film moves us swiftly from one breathtaking scene to another: a dramatic mudslide; a climb up a near-vertical rock face (by a bear who'd really rather take a nap); a fairy-tale-misty lagoon, where water blends seamlessly with sky.

Name : Richard Roeper a.k.a Chicago Sun-Times Thanks to director Jon Favreau's visionary guidance and some of the most impressive blends of live-action and CGI we've yet seen, The Jungle Book is a beautifully rendered, visually arresting take on Rudyard Kipling's oft-filmed tales.

Name : Peter Travers a.k.a Rolling Stone Favreau's Jungle Book fills us with something rare in movies today - a sense of wonder.

Name : Kenneth Turan a.k.a Los Angeles Times "The Jungle Book" is the kind of family film calculated to make even those without families wish they had one to take along.

Name : Kyle Smith a.k.a New York Post The plot is episodic, sewing together several tales by Rudyard Kipling, yet Favreau skillfully covers up the seams by increasing the pressure from Shere Khan.

Name : Tony Hicks a.k.a San Jose Mercury News Disney did pretty much everything right here. Favreau and screenwriter Justin Marks created a winning foundation, and Disney certainly cast the right voice actors.

Name : Kate Taylor a.k.a Globe and Mail A visually stunning and highly dramatic movie that pays only brief homage to the music of its predecessor and whose threatening characters and scary moments would surely have given Walt the heebie-jeebies.

Name : Chris Nashawaty a.k.a Entertainment Weekly It's the first talking-animal movie I've seen where CGI seamlessly bridges the uncanny gap between fantasy and reality. It's also one of the few 3-D movies that actually benefits from being in 3-D.

Name : Randy Cordova a.k.a Arizona Republic Wow. Just, wow.

Name : Dave Kehr a.k.a Chicago Reader A serious disappointment, recommended only for inveterate Disney fans and very young people.